ANIMA
ANIMA (2020)
ENEKO VADILLO
Juan García Rodríguez · director
Zahir Ensemble
Silvia Spinnato · soprano
Alfonso Rubio · flauta y piccolo
Carlos Lacruz · clarinete y clarinete bajo
Gilles Midoux · percusión
Francisco Escalante · percusión
Julio Moguer · piano
Rafael Muñoz-Torrero · violín
José Manuel Martínez · violín
Dieter Nel · violonchelo
Renascencias (2015, rev. 2018)
1. I. Proemio-Renaceré
2. II. Renaceré yo piedra
3. III. Renaceré yo viento
4. IV. Renaceré yo agua
5. V. Renaceré yo fuego
6. Antibes (2001, rev. 2011)
7. Selene (2010)
8. Sabah (2006, rev. 2016)
Transparences (2010)
9. I. Vitrial
10. II. Celosias
11. III. Vidrial
Ar-Rayhan (2012)
12. I. Sereno e profondo
13. II. Intensamente calmo
14. III. Comodo
15. IV. Corrente
16. Anima (2007, rev. 2010)
We could say that Eneko Vadillo (Malaga, 1973), would embody a third very peculiar wave called neo-spectralist and eclectic. This is due to biographical and professional reasons, including his time at the Royal College of Music in London where he worked with Magnus Lindberg, Julian Anderson, George Benjamin and Jonathan Harvey between 2001 and 2004 and at the IRCAM during the 2008-2009 academic year. Beyond their possible uselessness when trying to name and delimit a compositional position which is always dynamic and in progress, these terms can help us to describe Vadillo’s attitude to sound and composition, as shown by the pieces making up this record.